Artist First (label)
08 February 2010 (released)
06 February 2010
Although this distinct Southampton three piece’s album Baby Darling Doll Face Honey made it's debut back in 2009, it initially made more of a ripple than a splash upon it's release which quite possibly fell on not only deaf but, unknowing ears as well.
Currently this album is making tidal waves, practically washing away the competition and, generating the kind of hype that should be believed. Shudder at the thought if you will of the overwhelming possibility that this band could have easily been lost to the murky depths of the music underground. It would have been a unnecessary loss but, one we shall never have to grieve for because Band Of Skulls have prevailed.
There are many aspects to Baby Darling Doll Face Honey that put it in a league of its own. Perhaps it is the grandiose, rolling guitar rifts or the simplicity of naturalistic and interchanging time signatures that enrich this album giving it that modern alternative rock edge yet, at the same time venturing into genres of stoner rock and, even blues with a contemporary rock twist- of course.
Fronted by two complimentary vocalists Russell Marsden and Emma Richardson, Band Of Skulls toy with some interesting fluctuations and variations by vocally tag teaming on some of the songs. Bomb, and Death By Diamonds And Pearls are the tracks where the band seriously take it up a notch and where the alternating vocal duties are showcased. Easily the most adrenaline inducing songs on the album with gutsy, lyrical tones thrown in for good measure. These songs are a triumph. The track Impossible deserves a nod too for its reoccurring piano melody making the song involuntarily catchy and one the more structured songs. Honest is a acoustic, atmospheric track where Richardson’s soft tones are forefront and, genuinely add to the atmospheric textures. It also demonstrates the variations of styles that Band Of Skulls are willing to delve into.
The most prominent point about Baby Darling Doll Face Honey is that you can hear a great deal of potential in it.This album does not sound overly produced either which does not cheapen the listening experience in any way. Band Of Skulls may appear to be more poised to cater to and, enchant American audiences with their garage rock sensibility but, it is not debatable that this album and this band have a little bit more to offer in every aspect regardless.