22 June 2025 (gig)
27 June 2025
For its final night, the weather at Nocturne Live shifted. The searing heat of previous evenings gave way to a cooler temperature and a brief spell of rain, but nothing could dampen the spirits of the crowd gathered for a masterclass in funk, soul, and disco. With the stunning Blenheim Palace as the backdrop one last time, and a comforting portion of loaded fries in hand, the stage was set for a truly legendary finale.
The party started with Shalamar, who immediately got the crowd moving. Their energy was infectious, with slick, synchronized dance moves that had the audience grooving along to hits like "I Can Make You Feel Good." In a fun gimmick, they showered the front rows with "Shalabucks," adding to the feel-good atmosphere. They closed their set with the undeniable classic, "A Night to Remember," turning the Great Court into a giant dancefloor.
Next, the iconic En Vogue took to the stage, looking every bit the superstars in dazzling sparkly outfits. Celebrating an incredible 35 years in music, their voices were flawless and powerful. They treated the audience to a slick medley of their hits before bringing their set to a soaring climax with the powerhouse ballad "Don't Let Go (Love)" and their debut smash, "Hold On."
Then came the main event. To call Nile Rodgers a legend feels like an understatement. The multi-Grammy-winning songwriter, producer, and guitarist is the architect of modern pop music, and with his incredible band CHIC, he delivered one of the greatest live shows on earth. This wasn't a concert of covers; this was a journey through Nile's own hit factory.
From the opening CHIC triple-header of "Le Freak," "Everybody Dance," and "Dance, Dance, Dance," the energy was relentless. Rodgers, beaming with his signature smile, is the ultimate bandleader, effortlessly cool as he guides his phenomenal vocalists and musicians through a setlist that is simply staggering. We were treated to the Diana Ross hits he produced ("I'm Coming Out," "Upside Down"), the Sister Sledge anthems he wrote ("We Are Family," "He's the Greatest Dancer"), and the Madonna classics he shaped, sharing a brief story about working with her before a "Like a Virgin" and "Material Girl" medley.
The set spanned generations, from David Bowie's "Modern Love" and "Let's Dance" to his 21st-century smashes with Daft Punk ("Get Lucky") and Beyoncé ("CUFF IT"). The finale of "Good Times," seamlessly morphing into The Sugarhill Gang's "Rapper's Delight" (which famously used its bassline), was a moment of pure, unadulterated joy. It was a spectacular, hit-filled conclusion to an amazing long weekend of music at Nocturne Live.
Another perfect weekend put on by the Nocturne Team - thank you!
Photo Credit: Russell Fujak