With some criticism of the calibre of this year’s line-up compared to previous years and the noticeably ramped up police presence, there was some apprehension about Wireless 2016, not least from the local community killjoys trying to shut it down.

However, the annual Finsbury Park festival threw two fingers at its detractors, featuring three stages, pop-up dance mansion and numerous other amenities.

Guests lucky enough to invest in VIP tickets were likely to rub shoulders with TV stars, musicians and models. Special appearances from the Smith clan (Will, Jaden, Willow and Jada) proved that Wireless has a magnetic effect on international celebrities.

The opening Friday saw a variety of acts taking to the stage, including Brentford’s finest Kurupt FM. Bryson Tiller brought his smooth R&B to a packed crowd while The 1975’s summertime pop didn’t feel too out of place amid the urban and dance artists. Calvin Harris finished off the day with smoke, fire and lights - the perfect accompaniment to his chart-topping dance-floor fillers.

Saturday saw attendee numbers surge as crowds flocked to see the resurgent Craig David. Easily filling up the Pepsi Max Arena, it was a surprise that the ‘Re-Rewind’ singer wasn’t assigned to the main stage. Other Saturday headliners included the enigmatic raps of Future and a fast and furious set by Chase and Status.

Momentum showed no sign of slowing as the festival reached its finale on Sunday. As the sun shone down, Jessie Glynn elicited massive sing-alongs while Kygo’s electronic vibes provided the feel-good factor.

However, it was Boy Better Know who stole the show. With their London bric-a-brac covering the stage, Skepta, JME, Jammer and Frisco took the opportunity to shine as individuals as well as part of the BBK collective. An unexpected appearance by Pharrell Williams highlighted how far the group and the grime genre has come over the last decade.

All in all, Wireless 2016 redeemed itself with quality performances. If it can continue to stay away from controversy, it should be able to hold on to its status as one of London’s best urban pop festivals.


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