2LØT’s ‘The Albert Harvey Mix’ finds the groove inside the galaxy
24 October 2025
Newsdesk
At first glance, 2LØT might seem an unlikely candidate for the remix treatment. The Kansas-born outfit’s roots are in jam-based soul and live instrumentation, not sequencers and side-chains. Yet on The Albert Harvey Mix, Dutch producer Albert Harvey extracts the rhythmic DNA of the band’s debut and repurposes it for the dance floor without losing the live-band vitality that made the originals breathe.
“Arrow of Time (Albert Harvey Mix)” opens with a patient build – pads swelling like solar wind before the kick locks in, warm and rounded. Rudy Love Jr.’s vocal sits just behind the beat, almost conversational, while the synth stabs trace the melodic path once held by Michael Kang’s violin. It’s club music that carries the texture of a jam session.
“Sacrifice” and “Call For Me” work best at peak hour, full of percussive motion and melodic uplift, while “Never Knew You” occupies the after-hours slot – low, slow, and elegiac. Harvey’s mixdown choices are meticulous: the low end hums with analog grit, and even in the EP’s most anthemic moments, there’s restraint. These are songs built for spaces where bodies move in unison but minds are still awake.
What makes the project resonate is the conversation it opens between live musicianship and electronic craft. 2LØT’s Electronic Jam Music concept was always about collapsing genre boundaries; Harvey simply extends that philosophy into the world’s nightclubs. The Albert Harvey Mix feels global not because of its sound palette but because of its spirit – a universal groove that pulses beneath every culture’s interpretation of time.
