Every week, Music News and Liberty Music look at the best new releases from emerging and self-releasing artists.
Outpost Drive - ‘House Of Cards’ Outpost Drive return with ‘House Of Cards’, a soaring new single that merges American storytelling with British grit, crafted with hitmaker Jim Eliot on the Welsh borders. Blending Nashville songwriting, Fleetwood Mac-inspired melodies, and the duo’s heartfelt chemistry, the track captures love, struggle, and transformation in a powerful modern Americana anthem.
Bea Elmy Martin - ‘Lost’ Bea Elmy Martin follows her acclaimed debut ‘Under the Yew’ with ‘Lost’, a brooding folk-pop single that fuses soulful lyricism with alt-pop textures. Written in a rare burst of inspiration, the track captures the drifting feeling of being untethered while celebrating music as the anchor that brings her back to herself.
Milkah - ‘No Good For You’ Australian genre-blender Milkah returns with ‘No Good For You’, a hyper-pop confessional layered with afro-soul grooves, Spanish guitar, Indian sitar, and fearless honesty. Accompanied by a striking South Korea–shot video, the track explores beauty, womanhood, and the male gaze with raw vulnerability and bold self-command, cementing Milkah’s unique space between Kali Uchis, Amaarae, and early Doja Cat.
Ajoshd - ‘Y’all Don’t’ Texas-born hip-hop artist Ajoshd delivers a fierce statement with ‘Y’all Don’t’, the standout single from his new album ‘TEJAS’, blending sharp lyricism, Native-inspired instrumentation, and Southern grit into a high-energy soundscape. Self-produced and unapologetically bold, the track channels cinematic intensity with flute melodies and death whistle sounds, marking Ajoshd’s defiant introduction to the hip-hop scene.
The Earth & All Within - ‘I Never Liked You (Anyway…)’ Philadelphia-based artist James Ellis, under his project The Earth & All Within, releases his fiery new single ‘I Never Liked You (Anyway…)’, a rock-opera explosion that fuses driving guitars with cinematic strings. Featured on his debut self-titled album, the track channels raw emotion and theatrical power, landing somewhere between Foo Fighters and a symphony hall showdown.
