Los Angeles-based composer, orchestrator, and score arranger Eunjung Jeong continues to leave her mark on some of today’s most ambitious television and streaming projects. With a growing list of credits across major platforms, Jeong has become a vital creative force in the soundscape of modern screen storytelling.
Eunjung Jeong’s work is distinguished by its range and precision, effortlessly shifting between intimate textures and bold orchestral statements. Her style reflects a deep understanding of narrative and mood, honed over years of classical and jazz piano training, and a degree in Film Scoring from the renowned Berklee College of Music.
Most recently, Jeong served as a key member of the music teams behind Untamed (Netflix), Zero Day (Netflix), and The Last Rodeo (Prime Video). On each of these high-profile series, she contributed score arrangements, orchestrations, and additional music, helping shape their sonic landscapes with emotional depth and technical precision.
Among them, Untamed holds a special place for the composer. “I was involved as a music arranger and additional writer, and I really enjoyed shaping the music to fit the tone of the show,” Jeong explains. “Toward the end of the series, there were a lot of action scenes, and capturing the right energy and mood for those moments was quite challenging—but I’m proud of how it all came together in the final product.”
If Untamed was creatively satisfying, Zero Day pushed Jeong’s skills to new levels. “The schedule was extremely tight, and I had to complete a large volume of music in a very short amount of time,” she says. “It was definitely a high-pressure situation, but also an invaluable experience that pushed me to grow.”
Jeong has also contributed to the music preparation and orchestration of beloved productions such as The Santa Clauses (2022, Disney), Frozen Planet II (2022, BBC), Family Guy (2022–2023), American Dad (2022–2023), and Gremlins: Secrets of the Mogwai (2023). Whether working independently or in collaboration with studios like Fine Line Music Services, she brings craftsmanship, versatility, and clarity to every project she joins.
Originally from Seoul, South Korea, Jeong began composing professionally as a teenager before moving to Boston and eventually Los Angeles, where her career rapidly ascended and established her as a leading figure in today’s film and television music industry. A graduate of Berklee College of Music with a degree in Film Scoring, she combines formal training with a strong emotional intuition for storytelling through music.
“I’m most proud of the work I’ve done as part of the music teams on various shows,” she reflects. “Being involved in the process of bringing a project to life, and then seeing it released into the world, has been incredibly fulfilling every time.”
Currently, Jeong is intentional about the projects she takes on. “I’m naturally drawn to stories that resonate with me on a deeper level,” she says. “I tend to focus on projects that I can emotionally connect with, and I’m especially interested in those where I feel the music can elevate the storytelling in a meaningful way.”
While she can’t yet reveal what’s next, her enthusiasm is unmistakable. “There’s a lot to look forward to, and I’m feeling very inspired.”
