NEWS
Beabadoobee announces 2024 UK headline tour, including London's Alexandra Palace
13 June 2024
Beabadoobee today announces her 2024 UK headline tour, taking place this November and taking in nine dates and culminating with a huge night at London’s Alexandra Palace. Tickets are available via presale from 10am BST on Tuesday 18th June, and general sale begins at 10am on Friday 21st June. Support comes from LA indie rock group Momma.
The tour comes in support of Beabadoobee’s forthcoming studio album This Is How Tomorrow Moves, out Friday 16th August via Dirty Hit, featuring the single ‘Take A Bite’ and ‘Coming Home’. This August Beabadoobee opens for Mitski at London’s All Points East festival and headlines the Radio 1 stage at Reading and Leeds. Bea and her band then head to North America for an extensive headline tour September, returning twice to LA’s Greek Theatre and playing twice at NYC’s Summerstage in Central Park.
Produced by legendary producer Rick Rubin and long term collaborator and bandmate Jacob Bugden, Beabadoobee swaps her bedroom for his infamous Shangri-La studio in Malibu to create a deeply self-assured record with a vast sonic scope of rock and pop.
This Is How Tomorrow Moves tracklist
Take A Bite
California
One Time
Real Man
Tie My Shoes
Girl Song
Coming Home
Ever seen
A Cruel Affair
Post
Beaches
Everything I Want
The Man Who Left Too Soon
This Is How It Went
This Is How Tomorrow Moves stands as a testament to Beabadoobee’s artistic evolution and resilience, marking a significant milestone in her career. It captures a journey through confidence and introspection, with themes of self-acceptance and personal growth woven throughout, in parts a love letter to her younger self and all that she’s been through.
On This is How Tomorrow Moves, Beabadoobee is comfortable in taking the reins of this next stage of her life. “I love this album,” she says, simply, “I feel like it’s helped me so much more than anything else has in navigating this new era, this new understanding of where I’m at. I guess it’s about becoming a woman.”
“I think I’m more aware of my actions in these songs,” Bea adds, “In my previous records, I would consistently sing about my reaction towards other people's doings, like a blame game. But in this record, it's accepting that there's an inevitability of my fault in there too. Whether it's childhood trauma or relationship issues, it takes two to tango in everything.”
The tour comes in support of Beabadoobee’s forthcoming studio album This Is How Tomorrow Moves, out Friday 16th August via Dirty Hit, featuring the single ‘Take A Bite’ and ‘Coming Home’. This August Beabadoobee opens for Mitski at London’s All Points East festival and headlines the Radio 1 stage at Reading and Leeds. Bea and her band then head to North America for an extensive headline tour September, returning twice to LA’s Greek Theatre and playing twice at NYC’s Summerstage in Central Park.
Produced by legendary producer Rick Rubin and long term collaborator and bandmate Jacob Bugden, Beabadoobee swaps her bedroom for his infamous Shangri-La studio in Malibu to create a deeply self-assured record with a vast sonic scope of rock and pop.
This Is How Tomorrow Moves tracklist
Take A Bite
California
One Time
Real Man
Tie My Shoes
Girl Song
Coming Home
Ever seen
A Cruel Affair
Post
Beaches
Everything I Want
The Man Who Left Too Soon
This Is How It Went
This Is How Tomorrow Moves stands as a testament to Beabadoobee’s artistic evolution and resilience, marking a significant milestone in her career. It captures a journey through confidence and introspection, with themes of self-acceptance and personal growth woven throughout, in parts a love letter to her younger self and all that she’s been through.
On This is How Tomorrow Moves, Beabadoobee is comfortable in taking the reins of this next stage of her life. “I love this album,” she says, simply, “I feel like it’s helped me so much more than anything else has in navigating this new era, this new understanding of where I’m at. I guess it’s about becoming a woman.”
“I think I’m more aware of my actions in these songs,” Bea adds, “In my previous records, I would consistently sing about my reaction towards other people's doings, like a blame game. But in this record, it's accepting that there's an inevitability of my fault in there too. Whether it's childhood trauma or relationship issues, it takes two to tango in everything.”