Peter Wilgoss

Last night saw the wittily-named Lock, Stock and a Venue Full Of Art take over the Dingwalls in Camden. The event, billing itself as supporting the musicians, animators, artisans and people of Camden markets, featured live acts across three bars and acted as a showcase for some of the hottest unsigned talent in London at the moment.

Eschewing the bands on the Dingwalls Stage and the DJs in the Canalside Bar, I set up camp in the Market Bar to take in some lighter, acoustic fare. After a snappy set from New Yorker Ryan Scott - accompanied by a jazzy entourage replete with saxophonist - Essex-born singer/songwriter Peter Wilgoss took to the stool and mesmerised the audience with a collection of wistful, yet confident songs. The Watchmaker and Directly Associated with You were particular highlights and Wilgoss’ vocal performance evoked Thom Yorke at his falsetto finest. Added to this, a dexterous guitar-playing style helped create a rich, warm sound with more than a hint of blues.

Californian troubadour Eli Salzman joined Wilgoss for the last song of the former’s set – Bottom Of The Sea – and the pair also duetted on the latter’s set-opener, Baby Flame. The American’s infectious drawl and repartee soon won over the crowd, as did a lusciously languid cover of No, No, No (You Don’t Love Me).

Jonny Ryder and Mark Matthews completed the lineup for the night and each brought solid sets to the table, but it was Wilgoss and Salzman that stole the show.