Eska

This performance showcased a distinctive sound that mixed psychedelic rhythm with a folky twang. Backed by an impressive band and an expansive set of instruments, the format could have been set for an unforgettable experience.

We entered the performance space through the 360 degree art installation, ‘The curtain call’ (designed by Ron Arad), made up of white silicon rods suspended from the ceiling to form a diameter curtain. The audience stand in the centre with the band positioned round the outside. The unconventional positioning and the low-level lighting instantly creating a disorientating, dream-like atmosphere.

The band arrive on stage followed by Eska who bursts straight into it - her voice powerful and uncompromising from the start. Dave Okumu supports from across the room playing Hendrix-like guitar riffs that clearly captivate the audience. Throughout the set the music continuously evolves - instruments are added and replaced, and at point Eska disappears returning to the stage opposite to play keyboard and guitar – her musical talents clearly wide reaching.

Images of naked bodies (including one of Eska) are projected onto Arads installation. Whilst this doesn’t really have anything to do with the music or the set itself, it adds another layer of entertainment with plenty of pointing and looks of intrigue from the audience. Towards the end of the set the audience become aware of yet more instruments being played – This time a 12 piece string band playing outside the ‘curtain’. Walking round to see more, the audience were treated to another little surprise as they see Eska joining the string section to play violin.

Overall the performance was powerful and Eska’s musical/vocal range is massive, coupled with the constant variations kept the audience thoroughly entertained throughout.