Schwarz

Swiss band Schwarz were formed in 2013 - but appear to be more of a collective from different bands, as opposed to a band in themselves.

This self-titled album is a tough listen; it takes a few listens to cut through the bleakness and cold. There's little room for heart and soul, with the emphasis on pure instrumental and production techniques. Familiarity though, rather than breed contempt, softens the effect and some of the songs start to breakthrough that cold veneer.

Instrumental opener Intronaut sets the scene nicely, with heavy synths creating a moody feel with flashes of brightness. Throughout Schwarz flit between the light and the dark, like the claustrophobic (but brilliant) Lullaby; Danaé Leitenberg’s despairing vocals adding to the bleakness. But on Sighs and My Friend the mood is noticeably lighter. Lighter but not quite summertime singalongs.

It's an album of undulating and shifting patterns, a kaleidoscope of images, which can go very wrong, like on Hide, but go very right on the brushing and crushing tones of May, one of the album's highlights.

Those familiar with Vangelis and Joy Division should find a few nuggets to enjoy. More so maybe those who remember (and miss?) Prolapse’s sonic experimentation.